Starting with the premise that style is something you live, whilst fashion is just something you wear, Ted Polhemus's magnus opus is an analyse and catalog of all the major western (and the occasional eastern) youth movements across the 20th century. Nominally focused on what people were wearing and doing it is an invaluable collection of brief histories of the varying Youth Tribes (his term) and how they interconnect together, giving a brief overview and history of each scene whilst focusing on their core concepts and intended statements.
The work goes through the birth of the Style movements at the start of the 20th century (where people were trying to stake a claim for who they were through what they wore, instead of identifying status or station), the birth of the Teenager as a social concept, the myriad of 60's, 70's, 80's and 90's movements and their tension (internally and externally) between "Dressing Up" and "Dressing Down", through to the "Gathering Of The Tribes" in the late 90s, and the "Supermarket of Style" and the dissolution of the Youth Tribes that has emerged in the aftermath of social, economic and technological upheaval of the 2010's. Whilst each section is brief they are all vividly presented so that you are clear what is being discussed, and the definitions offered are sufficiently broad and identified that the core concept is indisputable. There are also extensive 'further reading' sections for those who wish to find out more, and a willful admission that not every nuance has been addressed that should put community insiders at ease that these are broad brushstrokes of ideas rather than reductive statements. There is also a happy sense that all scenes are somewhat nebulous and impossible to define with accuracy.
I would strongly recommend this book to anyone that has an interest in popular musical movements or in street/consumer driven youth fashions. As a starting point for defining the genres it is a invaluable tool, and on a less anthropological level the "Gathering Of The Tribes" and "Supermarket of Style" concepts are fantastic explanations as to just what the hell happened in youth culture over the last 20 years (giving answers to the questions first proposed by John Robb). It's also just a great read, giving a historical insight into youth movements that shows a reverence that is often lacking in a general, rather than genre specific, review or study and an amazing history of the fashions and the reasons behind the fashions of everything that has come before and, in the post-modern recycle machine, will invariably come again.
Showing posts with label bands that i like. Show all posts
Showing posts with label bands that i like. Show all posts
Saturday, 29 March 2014
Friday, 12 August 2011
Bad Brains
What happens if you take the energy of Punk, the musicality of fusion-jazz, and spirituality of reggae with just a sprig of soul singing thrown in for good measure? Well the answers is Bad Brains, and they have been ripping things up for the last 24 years whilst influencing bands such as Rage Against The Machine, Red Hot Chili Peppers, and the Deftones. They have also been bringing racial unity/indifference to the hardcore punk scene by being on of the first black bands to play it fast, loud, and aggressive. And, because these guys have a lot on their plate, they also helped put the aggression into rap with H.R., their energetic back-flipping frontman, spitting out lyrics at a velocity that is still barley touched these days.
An important band, to say the least, but the fact that you quite possibly haven't heard of them has more to do with them being almost utterly uncommercial in outlook, and H.R. being utterly bug-house crazy (but then again he encouraged Ian MacKaye to invent Straight Edge and Henry Rollins to become a singer so he can't be all that bad) and quitting the band every 5 minutes. To say they have had a very stop/start approach to their music making is an understatement but 8 albums later and they are still going strong, producing records that continue to be as musically diverse as from the day they started.
Anyway, enough from me. here's something from the band themselves!
An important band, to say the least, but the fact that you quite possibly haven't heard of them has more to do with them being almost utterly uncommercial in outlook, and H.R. being utterly bug-house crazy (but then again he encouraged Ian MacKaye to invent Straight Edge and Henry Rollins to become a singer so he can't be all that bad) and quitting the band every 5 minutes. To say they have had a very stop/start approach to their music making is an understatement but 8 albums later and they are still going strong, producing records that continue to be as musically diverse as from the day they started.
Anyway, enough from me. here's something from the band themselves!
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